The India-China War of 1962 structures the background against which Kabir Khan’s most recent film Tubelight plays out.
Salman Khan Stars as a moronic man in what is being viewed as a conceivable retaliation of his Bajrangi Bhaijan.
It likewise stars Sohail Khan and Chinese on-screen character Zhu.
In a past meeting with Firstpost, Salman said of his part in Tubelight:
“I am not shrewd by any stretch of the imagination; I am a tube light. When you are growing up, you are guileless, pure, however at the age of 51-52, when you have seen the world, at that point it’s hard to play something like this. I was pondering where should I get that guiltlessness from, however this character enabled me to do everything. I needed to dive profound into my youth. Sohail and I began recollecting all our school companions, our bunch mates. Fortunately, there are many children in our family, and I learned numerous things from them, yet I must be mindful so as to not overcompensate things since it is a passionate film and not a drama. It couldn’t have resembled a cartoon or a joke. It is a film on two siblings, where one goes to war and alternate remains behind.”
Presently, in another discussion with Vikram Thapa for Firstpost, Salman harped on one of the more troublesome parts of Tubelight those serious war arrangements. Salman discussed how the war was a vain exercise, that genuine peace must become too at a talking table and that jawans were the ones who endured most when wars were battled.
This is what Salman needed to state.
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